Walter Mitty, a daydreaming pulp-fiction writer with an overprotective mother, likes to imagine that he is a hero who experiences fantastic adventures. His dream becomes true when he accidentally meets a mysterious woman who hands him a little black book. According to her, it contains the locations of the Dutch crown jewels hidden since World War II. Soon, Mitty finds himself in the middle of a confusing conspiracy and has to admit that being a hero in real life isn't that easy.
曾掀起连番江湖纷争的倚天剑屠龙刀终由明教教主张无忌（尔冬升 饰）收管，而九阴九阳两部秘笈分别交予周芷若、张无忌。不久朱元璋登基成为皇帝，宋青书（万梓良 饰）凭高超的武功与易容术入宫担任国师，处心积虑谋取几样武林至宝不表。宋青书设计杀害周芷若取得《九阴真经》。张无忌回访蒙古第一高手铁真将军（狄龙 饰）时偶遇宋青书命人袭击蒙古边民嫁祸明教，张无忌只得隐藏身份救下蒙古公主（钟楚红 饰），一行三人在混乱中坠入天山秘洞。宋青书先后取得倚天屠龙与九阴九阳，功力大增无人能敌，张无忌与铁真败退后在秘洞中习得天竺九式，二人引宋青书上天山一决雌雄……本片根据金庸小说《倚天屠龙记》演绎而来。
玉皇大帝悬赏征集计划，用以推动天庭的经济，一向以头脑精明著称的雷震子（郑中基 饰）在向玉帝递交计划书前被九天玄女揭发了雷震子30年前在凡间曾经出手帮过一个小胖男孩，使男孩没有误入歧途。雷震子以为会得到赞赏，但九天玄女告诉雷震子，当年他告诉小胖子丁当（谷德超 饰）只要有困难自己便会挺身而出。而此时长大后的丁当正面临生死大劫，如果雷震子不能履行当年的承诺，便会让竞选添上污点。雷震子自恃法力高强，决定下凡找到丁当并帮他度过危机，但情况并不想雷震子想象中简单。
拥有幸福美满生活的大兵福德·布罗迪（亚伦·泰勒-约翰逊 Aaron Taylor-Johnson 饰），内心隐藏着一个挥之不去的阴影。15年前，他和父亲乔伊（布莱恩·科兰斯顿 Bryan Cranston 饰）、母亲桑德拉（朱丽叶·比诺什 Juliette Binoch e 饰）生活在日本。父母供职于一座大型核电站。就在福德的爸爸生日当天，一场突如其来的灾难摧毁了核电站，他的母亲在灾难中丧生，语焉不详的政府隐瞒真相，以防止核辐射的名义封锁了该地区。但是乔伊却从种种异状觉察到反常之处，十五年来他一直试图揭开当天的灾难之谜，终于发现这一切都是由一只如山一般巨大的怪兽所引起。怪兽哥斯拉从沉睡中苏醒，令人难以预测的灾难席卷而来……
Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career.Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.)As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisoner/penitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone ("I'm a mechanic"), yet the symbolism is rich: he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played.The scene between Josh and Jane (a wonderful, young Edie Falco . . ."You need a woman not a girl") is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly"arty" and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual"am not"/"are too" argument).Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the"unbelievable truth" of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.
3.0希特勒的男孩